It's infuriating when you think you have everything nicely sorted and then you go and do something that makes you question whether you really have made the right choices :mad: Until today I was quite happy with my digital front end: Modded Teac T1 transport -> Monarchy Audio DIP 48/96 upsampler -> Chord DAC64. Now, I haven't gone totally mad, I'm still very happy with the Teac and the DAC64. It's the cables and the upsampler I'm questioning. Linking the transport to the upsampler is Apogee Wyde-Eye RCA digital IC with Bullet plugs and linking the upsampler to the DAC is LAT DI-20MkII AES/EBU XLR digital IC. Now, the Apogee Wyde-Eye RCA cable has been very impressive and has beaten pretty much any other RCA digital cable I've tried it against upto £300 - pretty good considering it only costs £50. So, I thought, why not substitute my LAT balanced cable between upsampler and DAC for an Apogee Wyde-Eye balanced cable? It should be better and I'd be happier using the same cable for both digital links. So the other day I bought one (again, only about £50) and today I've been trying it out. Uggghhh!! What a horrible mess :( It was so bright and harsh in the treble it was barely listenable to :eek: Voices suddenly were full of sibilance and digital "hash". I could scarcely believe it since this is exactly the opposite of what the Apogee RCA cable did (in comparison to other cables it [i]removed[/i] all the treble harshness). I did several more tests back and forth with various CDs and my ears were not decieving me. The Apogee XLR cable was horrid. Maybe the cable needs burning in but I can't see burning in (of a cable) making such a quantum leap in peformance. Also, I unscrewed the Neutrik XLR plugs to have a look and it appears that the Apogee balanced cable is of a totally different construction to the RCA one so it looks like they're not really the same cable after all. Now, since the LAT balanced cable is, as it turns out, really rather good perhaps I should go the other way and switch my RCA Apogee cable for a LAT DI-20 RCA cable! Another option would be to use a second Apogee RCA cable between upsampler and DAC allthough I lent my other one to a friend so I can't test that out just now. Then I thought what the hell, why not ditch the upsampler entirely and use just the Apogee RCA between transport and DAC? Well, it does sound rather good. TBH I've never been 100% convinced of the sonic value of the Monarchy upsampler. If I can notice a difference it's that it makes the top end slightly smoother but seemingly at the expense of a little life and dynamics. I've also never been entirely happy with non-integer upsampling. After all, it's really just a digital filter and possibly one that isn't allowing the DAC64 to do it's magic as well as it might. I got it originally because WM was selling it for an excellent price and because I was irrationally obsessed with feeding the DAC64 a balanced digital signal and my T1 doesn't have an XLR digi out. It alsp obviously means using two digi ICs instead of one with all the variaions that can entail. It's only "advantage" is that it reduces the DAC64's 4 second buffer delay to less than 2 seconds (96kHz has more than twice as much data as 44.1kHz in the same time period). I'm going to try a few more things but I think I'll soon be selling a couple of digital XLR cables and an upsampler :) As I once read on AudioAsylum, once you go the 2 (or 3) box digital source route then you have to make sure you don't go crazy with digital ICs because that way lies madness ;) . I'm starting to learn that :cry: Michael.