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Thank God I don't have a Blade then. KTM Duke myself. :JPS:

Very often, forwardness can be due to too much energy over a given frequency range, usually excited by room modes/reflections.
People often use cabling to try and get arround this, but that's like doing brain surgery with a Black and Decker Drill.

With Room Correction, and some time and experience, the user can learn how to control the Target Curve (desired frequency response) to give the desired sound. You have total control over any forwardness. With sytematic tweeking you can create a very deep, wide and tall soundstage.

The most dramatic thing is getting rid of the main room modes below 300 Hz, that all rooms have, these modes create massive ammounts of sound energy that can take over a second to dissipate. This masks a lot of what is going on in the midrange.

I believe the TDA2200 will have a Room Correction internal module available in about 6 months for an additional cost of approx. £700. Then there is to be a new amp with up to 8 channels. 6 channels will do me nicely. Can't wait for that one. Digital x-overs, room correction, EQ and tone controls, all in one unit.

Regards
Ben

<blockquote data-quote="big_ben_jitter" data-source="post: 590284" data-attributes="member: 2225">Thank God I don't have a Blade then. KTM Duke myself. :JPS: Very often, forwardness can be due to too much energy over a given frequency range, usually excited by room modes/reflections. People often use cabling to try and get arround this, but that's like doing brain surgery with a Black and Decker Drill.With Room Correction, and some time and experience, the user can learn how to control the Target Curve (desired frequency response) to give the desired sound. You have total control over any forwardness. With sytematic tweeking you can create a very deep, wide and tall soundstage.The most dramatic thing is getting rid of the main room modes below 300 Hz, that all rooms have, these modes create massive ammounts of sound energy that can take over a second to dissipate. This masks a lot of what is going on in the midrange.I believe the TDA2200 will have a Room Correction internal module available in about 6 months for an additional cost of approx. £700. Then there is to be a new amp with up to 8 channels. 6 channels will do me nicely. Can't wait for that one. Digital x-overs, room correction, EQ and tone controls, all in one unit. RegardsBen</blockquote>

[QUOTE="big_ben_jitter, post: 590284, member: 2225"] Thank God I don't have a Blade then. KTM Duke myself. :JPS: Very often, forwardness can be due to too much energy over a given frequency range, usually excited by room modes/reflections. People often use cabling to try and get arround this, but that's like doing brain surgery with a Black and Decker Drill. With Room Correction, and some time and experience, the user can learn how to control the Target Curve (desired frequency response) to give the desired sound. You have total control over any forwardness. With sytematic tweeking you can create a very deep, wide and tall soundstage. The most dramatic thing is getting rid of the main room modes below 300 Hz, that all rooms have, these modes create massive ammounts of sound energy that can take over a second to dissipate. This masks a lot of what is going on in the midrange. I believe the TDA2200 will have a Room Correction internal module available in about 6 months for an additional cost of approx. £700. Then there is to be a new amp with up to 8 channels. 6 channels will do me nicely. Can't wait for that one. Digital x-overs, room correction, EQ and tone controls, all in one unit. Regards Ben [/QUOTE]

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