The Mains Issue Again, Don’t Yawn.

Discussion in 'Hi-Fi and General Audio' started by jrarn111, Nov 6, 2009.

  1. jrarn111

    jrarn111

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    I just want to have a rant about the use of expensive mains cables, or any none standard one's come to that, you know, the one's that link the 13 amp 3 pin socket to your hi-fi kit. Now, to my understanding the electricity comes overhead or under ground and is susceptible to picking up radiation, radio frequencies and anything else that is on offer, on it's way to your 13 amp socket, via sub stations and what ever else. There is no filtering or any device to get rid of whatever it has picked up along the way. If I am wrong I am sure one of you will point this out. What I can't understand is that the electricity is still the same when it goes through the 13a socket and into the connecting cable (dirty). So why does fitting a flashy cable make any difference, it's not a filter, it can't take anything away that's flowing in the electricity, it can only stop RF etc from getting in and these cables, I believe, have less resistance, which I presume makes the flow of contaminated electricity even easier. I do understand that some cable manufacturer's do a lot of r & d to produce cables and after all, like most of us, are out to make a few bob. I know that the believer's are going to say suck it and see, but it still concerns me that there are cables out there that cost £1000's which to my mind don't do any more than any other cable. Please don't get me wrong, I am not trying to debunk any products whatever the cost. Infact I would be more than willing to splash out on expensive cables if there was some proof that it was realy worth it. Anyway that's more or less it. I could be talking a lot of old b…..k's, maybe someone will enlighten me as to the benefits of using more expensive cables. At the moment I use Wireworld and Missing link and have got a Lat cable as a spare. I did have all Isotek but I got rid of them. My kit if anyone is interested is: Mcintosh 501 mono's, Krell Resolution 2's, Audio Resolution Opus 21 ( 4 sale ) ARC SP 11 ( 4 sale ) and an Audio Synthesis Dax Decade, which I am looking for a Transcend to partner it. Have a good weekend. Regards, Jim.
     
    jrarn111, Nov 6, 2009
    #1
  2. jrarn111

    lbr monkey boy

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    Why do you use wireworld and missing link if you think it's all bollocks? FWIW I use homemade mains cables from supra off the reel cable. I have no idea if they sound better than stock cables as I've never compared them, but I have no reason to think they sound worse and that's good enough for me.
     
    lbr, Nov 6, 2009
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  3. jrarn111

    jrarn111

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    what I said was, I COULD be TALKING a lot of old b....k's. Not meaning the issue is b....k's. Yes use whatever cables you like, but that is not realy the point I was trying to make.
     
    jrarn111, Nov 6, 2009
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  4. jrarn111

    zanash

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    your looking at things backwards ......and you don't need expensive cables to show how this can work a few meters of a preparitory cy ie oflex classic 100

    suceptabiltiy to mains cables is equipment dependant ...ie some cdp's and amps are much more imune to these effects than others ....

    anther important factor is your location and how much gunk is on your mains ....the same cdp used with two different mains cables at two different locations ....in one the mains cable makes a difference and in the other it has only minimal effect ....if I knew the answer then I'd be richer than I am !

    the best explaination I see is the following

    Good answers to power cable issues...this was lifted from a website of said cable maker

    How can an aftermarket power cord, which represents the last 6 feet or so of many miles of cheap in-wall and underground wiring, make any difference at all to sound or video?
    There are many misconceptions about the basics of power transmission and power quality that make it difficult for people to understand why any aftermarket power cord can impact the performance of a home A/V or professional recording and film system. The fact of the matter is that Shunyata Research power cords have made dramatic differences in all manner of consumer and professional recording, sound and film systems. Many skeptics question even the possibility of an aftermarket power cord making a difference in electronics performance. Shunyata Research is pleased to provide answers.

    The first and most obvious question is -- can power cords make any difference at all? There is no sense in talking about theories of operation if we can’t agree that there can be an obvious visual and audible effect when applying a competently designed aftermarket power cord to electronics. Most of the thousands of professionals and consumers that use Shunyata Research power cords started out as skeptics and have answered that question for themselves through their own experience.

    The only cases where a high quality power cord may not have a significant effect is when it is coupled with a poor quality power conditioner that creates a high impedance to instantaneous current flow problem.

    The most common misconceptrions about power transmission and their simple technical truths follow:

    Misconception #1: AC power is like water coming from a large power tank, flowing through several 10s of feet of power hose into a component. This implies that the component is at the end of this system.
    Answer: Actually, the component sits between two power conductors: the hot and the neutral. AC power oscillates(alternates) back and forth at a 50-60hz rate. So power does not pour into the component at all. The component’s power supply is within a complex network of wires and connectors. Due to their obvious proximity, ALL of the wire and connectors can and do affect the performance of the component’s power supply.

    Misconception #2: AC power can be contaminated just like water in a hose. This implies that once the water iscontaminated at some point up stream, that is must be cleansed before it arrives at the audio component.
    Answer: As stated in #1, the component is not a the end of the power hose. It is between two power hoses and the current is oscillating back and forth. Further, current is not like water at all. Electrons cannot be contaminated. There are two aspects to power transmission: the EM wave and the current flow. The current itself cannot be contaminated but the EM wave can be modulated with other frequencies. We usually call these other frequencies noise or EMI. Within thevarious parts of a power circuit there may be EMI in certain parts that are not present in others. EM energy can be transformed or redirected to lessen their effects.

    Some power cords for example, use capacitors, inductors, or ferrites in an attempt to control the EM fields around the audio component. The success of such an approach is completely dependent upon the specific power supply design and its reaction to the added reactive capacitance of the power cord.

    Misconception #3: There is up to a hundred feet of wire in the walls, so the last 6 feet of power cord can’t possibly make any difference.
    Answer: The PC is NOT the last 6 feet as stated in #1 and the local current and EM effects directly affect the sonicperformance of the component. The power cord is not the last 6 feet, it is the first 6 feet from the perspective of the component. The further a noise source is from a component, the less of an impact it will have on the components power supply. The high-frequency noise sources that have the greatest impact on audio and video performance are the system components themselves -- which are usually all in close proximity of oneanother and all emit radiated fields of high-frequency noise. A well designed power cord can act as a noise-isolated extension of the primary winding of a component’s power supply and will help isolate the power supply from the fields of radiated RF and EM noise energy that is everpresent in all electronicssystems.

    Misconception #4: There is a tremendous amount of electrical interference and EMI coming from outside the home that we need to protect our equipment from. This implies that we need some sort of power conditioner or filter to protect the equipment.
    Answer: Most of the EMI that affects the audio quality of a system is generated by the audio components themselves. EM waves that travel through space dissipate in power as the square of the distance from the source and very high frequencies that propogate through the power circuit do not survive for long. Power lines present a high impedance to Mhz and Ghz signals due to the relatively high inductance of power lines.

    A primary source of audible sonic degradation is caused by the power supplies. Most components use FWBR (full wave bridge rectifier) power supplies that generate an incredible amount of transient noise when the rectifiers switch on and off. The design of a power cord can significantly affect the reactance of these signals within the power supply. Because the power cord is part of the primary winding of the power transformer, the transition between the various metals used in a PC can cause EM reflections and diode-like rectification of the noise impulses as they propogate away from the power supply. If the PC presents a high impedance to these signals they will be reflected back into the power supply where they will intermodulate increasing the high frequency noise levels of the component. Most power supply filters are ineffective at blocking very high frequency noise components and much of it is passed through to the DC rails. The sonic effects of this include: high background noise levels, blurred or slurred transients and a general lack of clarity and purity of the sound or visual image.

    Misconception #5: There is some conspiracy among audio designers that keeps them from producing a “proper” power supply that is not affected by the quality and design of a power cord. This concept is like saying that if a speaker were properly designed, you wouldn’t need to use a good quality speaker cable.
    Answer: Shunyata Research power cords have been tested with modest beginner and mid-fi equipment as well as the most exotic and sensitive recording devices and electronics. We have yet to find a component that cannot be improved by replacing the power cord with a high-quality design.

    As long as power supply design is based upon FWBRs or switching supplies, the power cord will always be significant.

    Misconception #6: High-end power cords just increase the circuit capacitance acting as a high-frequency shunt.
    There are some power cords that ARE designed this way. Some even insert capacitors within the cable to further increase capacitance. This approach has some positives and many negatives, including the reactive interference with the way many power supplies are designed.
    Answer: Capacitance alone cannot account for the differences in a power cord’s performance. There are some very effective aftermarket power cords that have virtually unmeasurable levels of capacitance. These power cables are usually designed around hollow tubes with the conductors inside. The conductors are several inches apart and cannot significantly affect the capacitance of the power circuit.

    Misconception #7: Power cords are just like speaker cables; the shorter the cable the better.
    Answer: A speaker cable conducts an audio signal from the power amplifier to the speaker. The distance is quite small, on the order of a couple of feet to several feet. The quality of a speaker cable is determined by how well it can transmit the signal from the amplifier to the speaker without alteration or signal degradation.

    A power cable on the other hand is not transmitting an analog signal. It is conducting A.C. power and its sonic superiority will be determined by its ability to deliver current (steady-state and instantaneous) and its ability to deal with the EMI effects of the components to which it is attached.

    Since a power cord is composed of a hot and neutral wire that the component sits between, a change in the length of the cord will increase the size of the “buffer” around the component. In the specific case of Shunyata Research -- we use patented noise-isolating geometries, shielding and a patented compound that absorbs EMI in some power cord models. Increasing the length of the cable, increases the noise isolation, or coupling effect to the FeSi 1002 compounds, therefore increasing the performance of the cable.

    In general, Shunyata Research does not recommend a power cord that is shorter than 3 feet or 1 meter in length for performance ease of use and, or resale reasons. Of course, subtle degrees of audio performance are not the only consideration when putting together an audio system. Aesthetics are also important especially when the system is located in a beautiful home. I just point out the performance differences so that people can make an informed decision when determining the optimum length for their cables.
     
    zanash, Nov 7, 2009
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  5. jrarn111

    monya

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    If this site had a post of the day vote, you'd have it. And who distributes Shunyata in the UK?
    I think vertex have done some work on this too.
     
    monya, Nov 7, 2009
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  6. jrarn111

    zanash

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    I only coppied and pasted ...

    but thought it was a fairly well reasoned hypothesis
     
    zanash, Nov 7, 2009
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  7. jrarn111

    jrarn111

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    Ok, Shunyata seem to have it nailed. I stand corrected said the person in the orthopedic shoes. After reading that I feel I ought to go and buy some of their cables. Zanash I looked at your site. I like where you are coming from. Tell me more about your cables as your site is not fully operational yet.
     
    jrarn111, Nov 7, 2009
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  8. jrarn111

    IanG-UK

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    Jim
    My views on mains cables (ie benefit or otherwise) were subsumed by the fact that, if I wanted to try some different cables - even just two types - it could be both expensive and time consuming - the latter because I like all cables to be "fitted" - hence (with five components) ten plugs or sockets to be sorted. With cables often being on the bulky side, I wasn't keen on doing all that.
    What I did do was try a PS Audio Power Plant Premier - and eventually bought one. If you believe the manufacturers (and Martin Colloms' review) you just have the post Power Plant Premier mains cable to worry about - which is what I have done using good but not exotic cable (Isotek).
    For me this PPP "makes the sound better" - but then I would say that having bought one.
    My reply to Jim's post was in part prompted by the fact that we both use the Audio Synthesis DAX Decade - a lovely piece of kit!
     
    IanG-UK, Nov 7, 2009
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  9. jrarn111

    jrarn111

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    thanks for that Ian. I am indeed considering a PS or a Ben Duncan unit for the cd, pre and dac.
     
    jrarn111, Nov 7, 2009
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  10. jrarn111

    RobHolt Moderator

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    No, they've simply made a comment. That doesn't make it correct.
    Pseudo-science can often sound plausible until you take some time out to do your own research.
    Do so, and then read it again - spot the simple mistakes and/or misinformation.
     
    RobHolt, Nov 7, 2009
    #10
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