Aldo Ciccolini's Nocturnes

[pe-zulu]

Dear Coda II

You could do far worse things than aquiring Gilberts WTC, which is well worth its money. The harpsichord is a late french baroque period instrument, very sonorous in character, and Gilbert makes
it sing wonderfully. His approach is very informed and stylish with
delicate touch and well judged tempi. I think occationally
his touch is too much legato, but these are probably minor things for you. If I were to aquire only one interpretation of the WTC, I would choose Leonhardts because of his unparalleled concentrated expressivity, but my second choise would be Gilbert, and if I were to have more recordings (which is preferable) Gilbert would be unavoidable. My next choices would be Wilson (Teldec) and Dantone (Arts) and Walcha (EMI 1960-61).
Venlig hilsen

 

[joel]

Nevertheless, one must remember that the Mass proper was performed in a place which was actually separated from the Congregation (there was a kind of wall). What people witnessed was, indeed, a mistery being performed from a secretbplace

In English (Anglo-saxon for the pedantic ) this is a "rood screen". These were done away with in the reformation, but probably date from the very earliest days of the Church.
Rood screens in medieval churches would have been densely covered with intense polychromatic imagery and carvings of events such as Christ's passion etc (rood I believe means Cross).

 

[Tom Alves]

and led to such wonders as the organ mass. Well you knew that the priest was doing something so might as well just play some nice music while it was happening. You didn't need the choir to sing along, did you.

I once saw the Allegri Missere performed very beautifully with the choir hidden behind the rude screen. Very effective because it allowed the three groups to seperate out. Stunning.