The sacred cantatas of J.S. Bach

Given that two series have already fallen by the wayside (Gardiner and Koopman, although I think Koopman is persisting with private means), I hope they continue, because the standard has been very high.
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Just back from holiday in France. Read somewhere whilst I was out there (Diapason?) that Gardiner is creating his own company to issue the Cantata recordings in full from the 2000 pilgrimage year. He has bought the rights from Universal/DG. No mention of a time-scale. One to watch for Gardiner enthusiasts.
 
Hi, Eisenach, there have been persistent rumours of a complete Gardiner release (I haven't looked at the Monteverdi website for some time, but there was a consistent demand that they be released). The ones I've heard I've liked. Mind you, Suzuki is also darned good... And in between, thanks to sales in the shop in the Zürich mainstation, I now have nearly a complete collection of Rilling to go with the complete collection of Leusink. But would I also acquire a complete gardiner? The worrying thing is that I find myself already trying to justify it...
 
I pre-ordered the first two cantata CDs from Monteverdi Productions by e-mail - and got an e-mail response from Isabella de Sabata, a.k.a. Mrs. John Eliot Gardiner. Clearly Monteverdi Productions is a lean organisation!
 
So, the first two volumes (oddly, Volumes 1 and 8) have arrived chez Tones. Nice packaging - little hard-backed books with sleeves for the CDs and in between notes of the cantatas and the texts. Interesting choice of covers - photos taken of Afghans by Steve McCurry (one of a series that includes the girl who was on the cover of "National Geographic" a while back, the sort of photos you'd be prepared to kill to be able to take).

And the music? Excellent! I was expecting only fair quality in both recording and execution, given the scale of the enterprise and the lack of time for rehearsal but the recordings are excellent on both counts. They are crisp and clear, with (to my ears anyway) nicely-judged tempi. The soloists are good and the Monteverdis and the EBS are, as always, great. Oh dear, I really do think I'm going to end up buying the lot...

P.S. ...and ever since I've been unable to get the bouncy chorale accompaniment of "Was Gott tut, das ist wohlgetan" out of my head! (The CDs include BWV99 and 100 ("Was Gott tut, das ist wohlgetan", II and III (Bach used the text three times in cantatas)).
 
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Hi All,

For info, just purchased (and listened to) two Cantatas,
BWV 21 "Ich hatte viel Bekümmernis" and
BWV 42 "Am Abend aber desselbigen Sabbats"
by La Chapelle Royale, Collegium Vocale,
dir. Philippe Herreweghe (Harmonia Mundi).

Just superb.

Had a go at the same from my Teldec collection. Like both but will need to listen to the new ones a few more times.

I'm now listening to BWV 21 from the Hanssler Collection, but can't say I appreciate that good old pre-baroque-fashion style...

Will try 42 later on
 
Rilling

Yes he is "preauthentic" but rather paedagogic too, I think, and you can learn a lot about Bachs vocal music from Rilling, given his transparent view, stressing rhytm and counterpoint. And the instrumentalists are excellent and the choir more than adequate. And don't complain
about the price of the "complete" Hanssler edition, which
I for the moment (very long moment of course) is fighting my way through too.
 
I've just had a mail from Monteverdi productions - the next Gardiner live cantata volumes will be out in mid-April.

I agree with Pe-Zulu with regard to Rilling. His may not be the best, but they're a good way to get to know the cantatas at that price. And some of them are very good indeed - one of my favourite listens is Rilling's BWV129 with the three Läubin brothers blowing their brains out in the trumpet parts.
 
I guess Rilling is an acquired taste. Actually that's all I ever heard as a kid and teenager, and that's (partly) how I became a Bach fan. Problem is, after years listening to the modern-day baroquoists, it will take time to readjust.

But I'll keep struggling, and I too am in the process of trying to discover all the goodies in the Hanssler collection. Looks like a lifetime endeavor though. And I'm certainly not complaining about the price ...
 
Aquired taste or not, - the more I listen to Rillings Bach, the more I appreciate his clear, beneficial un-romantic style. Like other great preautentic Bach interpretors e.g. Karl Ristenpart or Helmut Walcha, all offering some sort of advanced practical score-reading. And I can resign myself to the sound of the modern instruments when played like this. But of course Rilling has some serious shortcomings, primarily in the field of the rethorical and expressive element of the music. But surely if you want to learn to know Bach seriously, you have to read about the music, read the scores yourself, try to play his music yourself to the best of your ability, and listen to many different interpretations.
 
I've just put my name down for the whole Gardiner set:

http://www.monteverdiproductions.co.uk/forthcoming.asp

There's no hope for some people.

Like Pe-Zulu above, I still get great pleasure from the Rilling series. The modern instruments don't bother me, but some of the solo singers let the side down, with voices that grate on me, I find. However, there are some great treasures in there.
 
Yes, even the first soprano in Rillings Cantate-integral appearing in Cantate nr.1, the danish soprano Inga Nielsen, constitutes an insult to ones ears. But many others of the vocalists are splendid.

As to Gardiners Cantate-pilgrimage, I understand that three volumes a two CDs have been released by now. But volume three has got something like number 37. Do they intend to release the complete pilgrimage, all 200 or so Cantatas?
 
pe-zulu said:
As to Gardiners Cantate-pilgrimage, I understand that three volumes a two CDs have been released by now. But volume three has got something like number 37. Do they intend to release the complete pilgrimage, all 200 or so Cantatas?
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Yes. I believe 198 were recorded and will be released. The odd numbering releases have something to do with contractural arrangements with DG (according to Isabella Gardiner on the website).

At least one often omitted (e.g., by Harnoncourt) because of the missing two first movements, BWV190, will be included, I'm pleased to say. Reconstructions or not, this is a wonderful cantata, especially the last chorale. This was the last cantata performed in the Pilgrimage (in New York) and that final movement is captured on the Cantata DVD - stands your hair on end. Both Rilling and Suzuki include it in their editions, and it sounds wonderful.

Hopefully BWV11 (Lobet Gott in seinem Reichen) will also be included. Some editions (such as Leusink's) omit it because it's also called the Ascension Oratorio, and therefore not regarded as a cantata. Which is a pity because it's one of the greats, up there with 4,31,51,80,82,140,147 (etc., etc.)
 
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This will amount to almost 1000 Euro in the course of time. Perhaps a little too much for me. But I should very much like to aquire a HIP version of the Cantatas to counterbalance Rilling.
Harnoncourt and Koopmann are not to my taste in this matter.
Leusink is rather cheap. Do you still think it is worth to have?
Suzuki will probably be the most expensive and despite his virtues, I think he often is too objective and cool
for Bachs sacral music (I own his Matthæuspassion and Johannespassion).

Regards,
 
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pe-zulu said:
This will amount to almost 1000 Euro in the course of time. Perhaps a little too much for me. But I should very much like to aquire a HIP version of the Cantatas to counterbalance Rilling.
Harnoncourt and Koopmann are not to my taste in this matter.
Leusink is rather cheap. Do you still think it is worth to have?
Suzuki will probably be the most expensive and despite his virtues, I think he often is too objective and cool
for Bachs sacral music (I own his Matthæuspassion and Johannespassion).

Regards,
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I personally would say yes to Leusink. The set is amazingly good value, even though the performances are a mixed bag - Leusink was nearly as ambitious as Gardiner, recording the lot in about 15 months. The quality is very variable, ranging from excellent to very ordinary, but as an inexpensive way of getting to know the cantatas it can't be bettered.

I personally am not enthusiastic about Harnoncourt's cantatas, recorded when historical instruments were in their infancy and some of them sound as if they were recorded in Nicky's garden shed. However, some love them (e.g., occasional visitor Eisenach, who has the lot). I also haven't been impressed by the Koopmans I've heard.

In the end, I personally come down to Gardiner and Suzuki. The Suzuki cantatas I've heard (I have about 12 of the CDs) are generally excellent - good playing, good singing. In the end (and only in my opinion), Gardiner shades Suzuki for overall presentation. The Gardiner live set heard so far seems to indicate that Gardiner has come a long way in his Bach interpretation - much more thoughtful, so that a better approach to the more reflective material comes with the typical Gardiner bounce in the festive numbers. The notes on the individual volumes (and Gardiner's commentary on the cantatas DVD) seems to indicate that the pilgrimage had a profound effect on him and his approach to Bach. In addition, ordering the lot means a substantial discount, so I'll end up paying about EUR800 - a lot of money, but that's the sort of money some folk spend on bits of wire to join up their equipment! Moreover, unlike bits of wire, I think they will be a source of lasting pleasure.
 
Tones, thanks, I think my solution will be to aquire Leusink now, and later aquire supplementary single Suzuki-
and Gardiner CDs of preferred Cantatas.
Regards,
 
I've been listening to the Pentecost Cantatas: what a gem the treble aria in bwv68 is. Mein gläubiges Herze. It's in 208 as well (The Hunt), but (last night anyway) seemed much more arresting in 68. A definite stop-what-you're-doing moment. The soloist was Peter Jelosits
Magic!
 
It's good when boy sopranos can make further waves in the music world. I think of Roy Goodman, who was the boy soloist in the famous King's College recording of Allegri's Miserere, and who's now leading the Hanover Band.

And I'll go and listen to BWV68 at the weekend! Thanks for the hint, Eisenach.
 
Leusink

tones said:
I personally would say yes to Leusink. The set is amazingly good value, even though the performances are a mixed bag - Leusink was nearly as ambitious as Gardiner, recording the lot in about 15 months. The quality is very variable, ranging from excellent to very ordinary, but as an inexpensive way of getting to know the cantatas it can't be bettered.
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Still far from having traversed the Rilling Cantata-set yet, I just received the Leusink Cantata-set from JPC yesterday. Sixty CDs, just another long journey. But the natural and unaffected style of the first three cantatas, I listened to, really appealed to me, and I look forward to many months rewarding listening.

Regards,
 

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