RdS said:Just to say I received Walcha's French and English Suites. I had listened to the French before, but never to the English suites.
I won't come as a surprise to you that I loved the records. But it was a surprise to me. As I very often stated, I have a love-hate relation with Walcha's Bach. Whenever I try to play something and afterwards compare my result with Walcha's, I always find I don't like his version.
I never played the English Suites (the are very difficult) but I was expecting a general lack of poetry. That may be right, but how he compensates for that by means of a concentrated, vigorous vision of the pieces.
The 3rd suite's sarabande is incredible in its expressiveness. The preludes are impeccable, even the allemandes are flowing and expressive. A marvel. I never expected this.
How do they compare to Rousset's English and French Suites?
Regards.