merlin, you have an uncanny and annoying skill of willfully mis-understanding my posts and then twisting a few quotes to hang each new attack on
I was merely saying that those cable challenges require two cables that measure the same electrically. I didn't say that I thought the different electrical properties would make them sound different, they don't. The "same electrically" requirement is to stop some smart-arse turning up with a cable that's basically a capacitor (and sounds crap) and walking away with the prize.
As I already said a few posts back, I think you'd need HUGE and difficult to achieve differences in inductance or capacitance to make audible differences - and cables with those extreme numbers would probably sound crap as they would act like a low pass filter.
In addition, as Ian has already said:
"show me an "audiophile" cable that measures any differently electrically over normal hi-fi lengths from some bit of wire that can be picked up for a couple of quid from Dixons or Maplins".
never mind the R&D time and effort that went into finding a cable that provided the ideal set of measurements
Oh please, give me a break. Cable R&D is throwing darts and seeing if where they land looks nice. There is no ideal set of measurements anyway as all audio cables measure basically the same anyway.
I haven't spent "a considerable amount" on cables. The total cost of the cables in my system is probably less than £350. As soon as I have time to buy some "stock" power cords they'll replace the Eupens and that number will go down to £200.
As far as trading standards go don't be ridiculous. All cables meet trading standards requirements because they do what they are supposed to do, which is carry an electrical signal. If people want to spend 10 times as much as they need to on them then that's up to them. I would only have a trading standards case if any cable I bought didn't conduct electricity.
Michael.