So after years and years of changes I think it is time to show the actual situation over here:
On the right the digital part
- Metronome-Technologie Kalista Reference
- C2A signature (DAC). On top of the DAC a HRS damping plate.
On the left
- AAS Turntable
- Aesthetix IO signature phono preamplifier with 1 power suply
- Aesthetix Callisto Eclipse preamplifier with 2 power supliers

View from top. Notice the E-trap (Bagend) low on the right set for 30 Hz.

The Aesthetix units are on the HRS Nimbus system and have a HRS damping plate on top.

The Metronome-Technologie Kalista CD transporter

The AAS turntable is on the Finite-Elemente Cerabase. The motor is from Feickert, the Mozart arm was made in Serbia and the cartridge is Clearaudio Goldfinger. HRS record clamp.

The subs 2 x 2 12" are driven from a Krell FPB700cx (2009) with a active crossover of Nestorovic Labs NL-12.

Tube power amplifier Nestorovic Labs NA-1 (150 W) modified with StealthCaps and Charcroft CAR resistors in the line path. HRS damping plates on top.
Cables
IC from source to pre: Audioquest diamond Hyperlitz X2 XLR
IC from pre to NA-1 (satellites): WSS platin line XLR
IC from pre to Krell (crossover / subs): WSS platin line
Loudspeaker cables: Fadel Art Goldline Coherence
Racks: Finite-Elemente Pagode Master Reference, on Cerabase
Others
- Acoustic treatments coordinated by the best professionals available in Switzerland
- VPI 17 Pro
- Acoustic Revive RL-30
- Nespa professional
- Art du Son for CD
- Art du Son for LP