i replaced 130 cubic cm of wood today with a bit of carbon plate.
it sounded very different.
i didnt measure it, so i may be completely wrong..
details below.
i've just added further mods to what was left of my p5.
i have replaced the rega plinth, POS, with a hardwood block chopping board, 50mm thick. this in itself wasa good improvement with allthe Rega beraring and arm parts remounted, more solid bass, and a reduction in the noise floor. there was also a huge improvement in tonality, removing a lot of the cooking Regas grey tone.
i mounted the motor to the plinth via a sheet of dragonplate carbon/ply/carbon. this was simply placed over the motor cut out and secured to the plinth with a very thin bead of sealant. because the sealant bead is so thin there is no lateral play at all so the motor is rigidly mounted with respect to the plinth, though there is a degree of vertical complience in there.
resulting the motor noise as picked up by the stylus on a static record with motor spinning and belt off is much reduced.
so this got me thinking about the arm mount. i had the RB700 screwed into the plinth, as per the P5 set up. i figured if i cut out a huge chunk of wood where the arm sits and thenn mount the arm to another carbon plate with a small sub-mount underneath the plate thenn i'd get a similar effect in reducing transmitted noise to the arm..
and oh boy did i ever.
i cut out a 10cm circle from the plinth, made a 12cm diameter dragonplate disc and mounted it to the plinth with a ring of sealant. the plate is supported across its circumference by the sealantand the arm screws through the plate and into a small hardwood block that only touches the underside of the dragonplate disc. theres no contact between arm and plinth, juts via the disc.
and it's a whole new ball game. i've gained greater dynamic, with more distance between the loudest and quietest sounds, this has resulted in more bass, and more delicacy at the other end of the scale. i've also gained a significant amount of space around the each voice and instrument.
i can only conclude that i've removed a fair bit of noice that was entering the arm and smearing the signal.
i reccomend it highly.
http://www.vinylengine.com/phpBB2/album_page.php?pic_id=5141
http://www.vinylengine.com/phpBB2/album_page.php?pic_id=4881
but one thing i did notice is how microphonic my tone arm lead is, bloody hell... the spacer is coming out of that ASAP.